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Archives

Saltburn from the Pier

This delightful view taken from the rising seaward end of the pier; gives a real impression of the length. A postcard from the “Rapps’ Saltburn Arts Series” dates from the early 20th century; from the style of dress not the warmest of days?
Image courtesy of John G. Hannah.

Lealholm

A delightful view of Lealholm, from a Tom Watson postcard, dating from 1905. A wonderful peaceful scene.
Image courtesy of John G. Hannah.

Sandsend

This Frith’s postcard view of Sandsend, promoting Wilcock’s Stores Ltd, Sandsend; gives an excellent view of the Sandsend viaduct as it crosses the valley towards the station, as well as a view of the Alum House area at the bottom of the notorious Lythe bank.

Image courtesy of John G. Hannah.

Glaisdale Post Office

An early postcard view; obviously hand tinted! Dating from about 1905 of the Post Office at Glaisdale. In modern day Glaisdale, the house with the mock Tudor ridge ends still looks over the green at the side of Glaisdale High Street. But I would not recommend pushing the pram along the road in the same way.

Image courtesy of John G. Hannah

Old Bridge at Great Ayton

The title of this postcard view of the bridge in Great Ayton is apt, the bridge in the image is remarkably similar to the present day bridge, being rebuilt in 1909. The only difference being in the base of the central supporting pillar. Today you are unlikely to see people in smock tops beside the stream!

Image courtesy of John G. Hannah.

Isolated at Sleights

A Yorkshire Post image of the River Esk in flood at Sleights. On 23rd July 1930 severe flooding affected Sleights following a cloud burst. Many villagers were marooned in their homes, surrounded by water as our postcard picture shows. These floods, the worst since the 1800’s affected the whole of the Esk valley. Obviously the Yorkshire Post had a photographer available at the right moment. Pity this poor householder!

Image courtesy of John G. Hannah.

Saltersgate on the Moors

Although postmarked from 1952, it is likely this postcard view of Saltersgate and across what is known as Fylingdales moor is possibly pre 1940; not a lot to see apart from sheep! Graham Denison tells us: “You can see the Saltersgate Pub, bottom of the bank on the left. Legend says ‘The fire is never to be allowed to go out or the excise man who is supposedly buried underneath it will start haunting the neighbourhood’. Pub closed and boarded up, guess the fire’s out too!”. By 2019 even the pub has gone now!!

Image courtesy of John G. Hannah and thanks to Graham Denison for the update.

Goldsborough

Goldsborough as a village is unknown to many; unless you are ‘brave’ enough to venture off the main coast road to Whitby (at what is known as Barnby crossroads). This view from a Tom Watson postcard dates from the ealry 1900s or possibly earlier. Beyond Goldsborough, heading towards the sea is the isolated hamlet of Kettleness. I said ‘brave enough’ as the road has interesting corners, narrow sections where meeting a farm vehicle and possibly trailer or speeding local/Post Office vehicle can cause a slight panic to unwary drivers. The final view is well worth the challenge. This view has not changed alot today, the road is now metalled but the farms seem as quiet. It even has a suitable ‘drink’ station, which has been noted for its culinary refreshments!

Image courtesy of John G. Hannah.

Cowbar side at Staithes

Dating from 1908, this CC series postcard is hand tinted and is still a very beautiful view of the side of Cowbar Nab and the stream through the lower area of Staithes.
Image courtesy of John G. Hannah.

Staithes

A modern view of Staithes dating from the 1960’s and produced by Friths. Still a delightful view of Staithes harbour at full tide and so a more unusual view. Christine Marshall comments: “My grandma lived up on Cowbar. Two rows of cottages at the top of Cowbar Bank. I came to Staithes ever summer with my mum from Edinburgh until grandma did in 1972. Have been back twice since then and it really hasn’t changed that much. Wonderful memories.”

Image courtesy of John G. Hannah, thanks to Christine Marshall for the memories.